The barbarian nights or the first mornings of the world take their source in this immense and inescapable history of our Mediterranean basin.

Points of light glitter in the darkness, drawing closer. Fourteen barechested men, wearing sequin masks and scythe-shaped horns, gather together as dawn breaks. One man ascends above the shifting clump, searching for verticality, and soon more follow - it’s a birth ritual.

Primal and hypnotic, The Barbarian Nights, or The First Dawns of the World, takes root in humanity’s past and the structuring of its cultural identity. Choosing the Mediterranean basin for his setting, choreographer Hervé Koubi looks into its history and provides an alternative view to the stereotypes of the infamous “barbarians.” Often portrayed as ruthless savages, they were also free men fiercely guarding their liberties.

A dazzling blend of gymnastics, modern dance, Capoeira, break dancing, and ballet, the work is a feast for the eyes. The men of Compagnie Hervé KOUBI attack the space like it must be conquered with one-handed spinning handstands, barrel jumps, and twisting backflips in a mounting frenzy. They drift through it as if comprehending a mystery with contemplative walking patterns and deep backbends. Individuals yet certainly kin, they meet in fleeting moments of unison.

Slowly hinging to the floor, one man breaks the perpetual motion. The others move toward him, as if gathering around a tribal elder for a tale. The men take turns in worship, performing a series of mesmerizing head spins to form their tribe’s spiritual practice. Large poles propel the men forward into a society of war, protection, and faith that advances in technology. Native drums, medieval choir singing, and Celtic bagpipes cycle throughout, creating a sense of timelessness.

Director: Choreography: Hervé Koubi
Cast: Lazhar Berrouag, Adil Bousbara, Abdelghani Ferradji, Zakaria Nail Ghezal, Bendehiba Maamar, Giovanni Martinat, Nadjib Meherhera, Riad Mendejl, Mourad Messaoud, Houssni Mijem, Issa Sanou, El Houssaini Zahid